‘Ch’us mon propre Bescherelle’: Challenges from the Hip-Hop nation to the Quebec nation

We examine the uses of and attitudes towards language of members of the Montreal Hip-Hop community in relation to Quebec language-in-education policies. These policies, implemented in the 1970s, have ensured that French has become the common public language of an ethnically diverse young adult population in Montreal. We argue, using Blommaert’s (2005) model of orders of indexicality, that the dominant language hierarchy orders established by government policy have been both flattened and reordered by members of the Montreal Hip-Hop community, whose multilingual lyrics insist: (1) that while French is the lingua franca, it is a much more inclusive category which includes ‘Bad French,’ regional and class dialects, and European French; and (2) that all languages spoken by community members are valuable as linguistic resources for creativity and communication with multiple audiences. We draw from a database which includes interviews with and lyrics from rappers of Haitian, Latin-American, African-American and Québécois origin.

from Journal of Sociolinguistics


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Housed at the internationally renowned Callier Center for Communication Disorders, Callier Library a branch facility of the McDermott Library at The University of Texas at Dallas.

Posted on January 29, 2009, in Research and tagged , , , , , . Bookmark the permalink. 2 Comments.

  1. marie nadine pierre


    I have not read the article and I am really looking forward to doing so asap. I am impressed with the topic as it relates to hip hop and Haitian immigrant youths. However, I am very concerned about the use of the term “bad French” which seems to refer even to the internationally recognized Haitian Creole/Kreyol. The latter is not bad french at all. It is distinct and unique creole and is the national language of Haiti.

    Thank you.

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